Broken Saints

Broken Saints is an award-winning, partially animated, Flash-animated film series by Brooke Burgess, Ian Kirby, and Andrew West. First published in 2001, it is a hybrid of the comic and animation art forms that its creators refer to as a "cinematic novel." Like a comic, characters on the most part remain in static poses and dialogue is indicated by speech balloons. However, rather than exclusively using sequential panels, animated sequences are used to switch scenes and help advance the story, while music (composed by Tobias Tinker and Quentin Grey, as well as classical pieces by Mozart and others) and sound effects are included, lending a more cinematic experience than one would ordinarily achieve with a comic strip alone.Broken Saints is some 12 hours long, split into 24 chapters published online between 2001 and 2003. The chapters become progressively longer, many with two or three acts. The culmination of the series, chapter 24, is five acts long - plus prologue and epilogue - and runs for 1 hour and 23 minutes.
Centered on philosophical, religious, political and spiritual themes, it tells the story of four strangers from "the quiet corners of the globe" connected by a vision they all receive of a coming evil. Their search for the truth behind the vision leads them to each other and to far larger and more disturbing truths than they could have expected.
The details of their respective visions vary, but each one contains a giant red cat's eye (accompanied by a terrific electronic screech), the ubiquitous symbol of the series. After seeing it, the four main characters fall into a temporary coma. The Eye -- a red circle with a thin black slit in the middle -- can easily be mistaken for a simplified Eye of Sauron, yet it is worth noting that Broken Saints made its debut before the release of the first of the three The Lord of the Rings films.
Several haikus (somewhat of a trademark of Brooke's) are presented as each episode loads, as well as quotes at the beginning and end from various sources, both tying in with themes and events of the episode. Several chapters contain animated scenes which introduce and close the chapter, and allude to various pop culture media such as The Matrix, Donnie Darko, Fight Club and The Wizard of Oz. Samples of songs from Montreal based band Godspeed You! Black Emperor were looped extensively in the soundtrack, and much of the dialogue, particularly in Chapter 14, is taken from the spoken word portions of there songs (some directly, and some slightly altered). The group is listed in the credits at the end of chapter 14 under "Loop Worship."
Each of the chapters was written and directed by Burgess, with Kirby doing the technical direction and West providing the artwork. The site was originally hosted (for the first 6 chapters) by Switch Interactive.
In 2005, a DVD version was released in association with Budget Monks Productions and Telefilm Canada, featuring improved or wholly redrawn art for the first several chapters, numerous featurettes, and a voice track for practically all dialogue. The voice actors included William B. Davis, David Kaye, Kirby Morrow, and Emmy-award winner Janyse Jaud. Burgess himself provided a character voice as well.
Recently a new DVD release was in the works, for international retail release. A few changes have been made, including a reworking of Chapter 13's artwork and commentary for each chapter. It was released on August 1st 2006.

The Sixth Sense

The Sixth Sense is a 1999 Academy Award-nominated Psychological thriller film written and directed by M. Night Shyamalan that tells the story of Cole, a troubled, isolated boy (played by Haley Joel Osment) who claims to be able to see and talk to the dead, and an equally troubled child psychologist (played by Bruce Willis) who tries to help him. The film, like much of Shyamalan's work, is known for its twist ending.

As the film opens, Dr. Malcolm Crowe (Bruce Willis) a prominent child psychologist, returns home one night with his wife from an event in which he was honored for his efforts with children. The two discover they are not alone - a disturbed, nearly naked man named Vincent Gray (Donnie Wahlberg) appears in the doorway of their bathroom with a gun. He says, "I don't want to be afraid anymore." (Cole, a central character in the movie, later says the same thing.) Vincent is upset that Crowe has not helped him, and Crowe realizes that Vincent is a former patient he treated as a child for his hallucinations. He condemns Malcolm for his inability to help him and shoots him in the stomach, and seconds later turns the gun on himself. The scene fades away with Malcolm's wife by his side, aiding him.
Months later, next fall, Malcolm returns to work with another frightened boy, 9-year old Cole Sear (Haley Joel Osment), with a condition similar to Vincent's. Malcolm becomes dedicated to this patient, though he is haunted by doubts over his ability to help him, after his failure with Vincent. Meanwhile, he begins to neglect his wife, with whom his relationship is falling apart. Malcolm earns Cole's trust and Cole ultimately confides in him that he is clairvoyant and can "see dead people". Though Malcolm is naturally skeptical at first, he eventually comes to believe that Cole is telling the truth, and that Vincent may have had the same ability as Cole. He suggests to Cole that he try to find a purpose for his gift by communicating with the ghosts, perhaps to aid them in their unfinished business on Earth. Cole is at first skeptical about this advice, as the ghosts terrify him, but soon decides to try it.
Cole communicates with the ghost of one girl who appears in his bedroom and appears to be sick. He finds out where the girl, Kyra Collins (Mischa Barton), lived and goes to her house, where a funeral reception is being held for her. Kyra's ghost gives Cole a videotape, which Cole gives to Kyra's father. The tape reveals that when Kyra was bedridden with illness, her mother was poisoning her food, which led to Kyra's death (this behavior has been suggested as Munchausen syndrome by proxy or Factitious Disorder).[1] Empowered now by his ability to use his gift to positive effect, Cole confesses his ability to his mother, Lynn (Toni Collette). Although his mother is troubled by his story, Cole tells Lynn that her mother (Cole's grandmother) went to see her perform in a dance recital one night when she was a child, though Lynn was not aware of this because her mother stayed in the back of the audience where she could not be seen; he also tells her the answer to a question she asked when alone at her mother's grave. Lynn accepts this as the truth, and her relationship with Cole is strengthened.
His faith in himself now restored as a result of his success with Cole, Malcolm returns to his home, where he finds his wife sleeping on the couch, watching their old wedding video. As she sleeps, Anna's hand releases Malcolm's wedding ring, revealing the twist ending of the film — that Malcolm himself is unwittingly one of Cole's ghosts, having been killed by his ex-patient in the opening scene. Due to Cole's efforts, Malcolm's unfinished business, of rectifying his failure to understand Vincent, is completed. Recalling Cole's advice about talking to his wife while she's asleep, so that she'll have to listen, Malcolm releases her to move on with her life and frees himself to leave behind the world of the living.